I'm a freelance designer who employs a broad skill set, a keen eye for detail, and a conceptual mind. Particularly interested in projects that have cultural impact, I produce effective and engaging visual communication that speaks with a unique voice.

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Funding Drive

CFUV 101.9 FM is Victoria’s non-profit campus and community radio station. Since 1984 they have provided a platform for marginalized voices, highlighted music unrepresented in the mainstream, and contributed to their local community through the promotion of artists, organizations, events, and festivals.

Inspired by the station's Orwellian founding date, CFUV wanted the graphics for their 2018 funding drive based on a tonally dark aesthetic influenced by authoritarian and cultist iconography. I designed the campaign's imagery around a rework of the Eye of Providence, a classic signifier in the conspiracy theorist's canon. Enclosed by it's requisite triangle, a dominating central eye radiates optically challenging waves—a reference to the radio format as well as propaganda's manipulative effects. This form is supported with bold typography and additional graphic elements, which are used in a collage variant and for the campaign's social media component.

While working with the funding drive's arcane theme, we made sure the graphics held a contemporary edge that appealed to the station's visually literate audience. This effort was a success, with merchandise being re-ordered by the end of the campaign due to its popularity.

CFUV Funding Drive

Art Gallery

Dedicated to being a welcoming place of enlightenment, enjoyment and education, the Nanaimo Art Gallery is a cultural highlight on Vancouver Island. The Gallery continually presents exhibitions by professional contemporary artists and dynamic public programming that encourages active involvement with the visual arts.

To celebrate its 40th anniversary, the Gallery underwent a process of renovation to its physical space and public appearance. Working closely with its curator, I developed a new identity for the Gallery using geometric shapes and the RGB (red, green, blue) colour palette. Fundamental in nature, combinations of the geometric shapes constitute all imagery. Likewise, the primary RGB palette alludes to the light spectrum all imagery becomes visible in. The thee colours speak not only to technological mediums, particularly relevant to contemporary art, but also to the institution's three core components: its exhibition space, workshop branch, and retail area. Contoured islands were additionally combined into this identity as the gallery explored its year-long question What does it mean to live on an Island?

With generous white space, clean typography, and a focus on simple lines, the Gallery's new face feels modern and definite without intruding on the range of visual presentation that occurs within it.

Nanaimo Art Gallery

The Navigator

The Navigator is Vancouver Island University's independently run student newspaper. As the publication's art director for its 46th volume, I had creative control over the year's redesign. Working with the editor-in-chief, we sought to elevate the publication beyond its “student newspaper” appearance. I introduced a classic yet modern literary aesthetic raising the newspaper's perceived value within the local community and more accurately representing the quality of the journalism within its pages.

The Navigator

Detail of the paper's title and teasers.
Two bundles of The Navigator newspaper on a hardwood floor.
Examples of a variety of folded issues; each showing a different cover.
Full front cover showing a graphic of Shane Koyczan, for a story about his show in Nanaimo.
Full front cover showing a graphic of a microphone with a flower superimposed on it.
Spread of the Contents and Letters pages.
Spread of the Editorials and News pages.
Detail of the Sports section featuring a story on the Raiders.
Detail of the Arts section featuring a review of a Father John Misty album.
Detail of the inside spread of the Halloween issue that used colour.


Stantem is an online binary options company currently in development. Aiming at traders seeking financial liberation, Stantem sought a logo that represented its innovative nature while retaining a strong sense of credibility.

Norse Door Company
Norse Door Co. Produces extra-thick, insulated doors aimed at upscale customers in cold climates. The logo combines a smith's hammer, the Norse rune meaning 'home', and robust typography to convey the protection offered by the doors, their craftsmanship, and the company's heritage.

The Little Green Fox
The Little Green Fox wanted a vintage inspired logo to reflect its collection of elegant bohemian textile art.

Neat As A Pin
Neat As A Pin provides boutique landscaping expertise and services in a utilitarian package.

Novakowski Crest
Developed from a rough drawing in the back of the family bible, the Novakowski's crest required an update.

A conceptualized arts society, Ptero is a space for everything evolving from, passing through, or influencing Vancouver’s creative culture.


Interlocking blue S logo for the binary stock options company Stantem
The Norse Door Company logo is an outline of vertical hammer with a head that has been alterted to look like the oval Odal.
The Johnston Franklin Bishop logo. It is a shield formed by the corner of a castle tower.
The Novakowski family crest mocked-up on an enamel cup


Tim Kasher
Representing the emotional minefield of relationships and domestic life, this poster drew on Kasher's lyrical themes.

Have A Nice Life
Have A Nice Life's experimental post-punk as visualized through sine wave interference for one of their Brooklyn shows.

A free music series in Victoria featuring local and emerging talent.

Digital poster concept surrounding a graphic art project.

Pterror Drone: a grand opening with noise, rhythm, quiet, harmony, low-frequencies, and euphoria.

Dishwasher's Party #2
An eclectic all-ages show that featured a variety of local musicians.

Street Sects
Experimental noise band Street Sect's 2017 westcoast tour.

Xiu Xiu
Release tour of experimental art rock outfit Xiu Xiu's 2017 album Forget.


Bright yellow poster for Tim Kasher show in Freiburg incorporating elements from the Window's game Minesweeper.
Dishwasher's Party #2 poster. A gorby pink cat with a fiddle and blue boots serves as a focal point.
Poster for Street Sects Westcoast tour.
Poster of Xiu Xiu 2017 Tour influenced by a Chinese Religious newsletter.


Consisting of two exhibitions, Silva was a contemporary art project that followed a thematic path from the microcosms of the forest floor, to the quantifying and processing of lumber, to the global distribution of forestry products. Similarly, each aspect of the project's design was inspired by this theme: typographic layouts were based on a founding silviculture text from 1664; exhibition pamphlets incorporated botanical renderings of fungus and roots; and mailers were printed on newspaper, a pulp industry product.


Total Product

Specializing in cloud, hosting, and technology, Total Product Marketing has 16 years of experience in creating comprehensive marketing programs with international clients. Hired part-time by the virtual company, I designed a variety of resources including e-books, print advertisements and social media assets.

Total Product Marketing


Gilherse was created to generate culturally valuable experiences in public settings.

Unlike galleries, coffee shops or other traditional venues, Gilherse integrates its imagery directly into the urban environment. This enrichs people’s predictable surroundings by challenging their visual expectations. These new experiences contribute to an overall impression of distinctiveness and vitality within our city.

As an independent project, Gilherse is a uniquely accessible venue for artists and designers to reach a general audience. Their collective voice broadens the range of creative expression within our community and invigorates our cultural dialogue.

Gilherse primarily uses greyscale prints to display its contributors’ work. This format allows imagery to be quickly and economically reproduced. The larger the quantity of prints that are put up on a variety of urban surfaces, such as power poles, the wider their cultural impact.

Conversely, Gilherse pop-up exhibitions create a more unified and captivating experience than the isolated pieces provide. Along with these shows, materials such as stickers and pins are used to increase the public’s awareness of Gilherse and its purpose.

All these components are supported by the project’s branding, which gives the same sense of legitimacy found in institutionalized art and design. Its crisp and cohesive visual identity conveys the quality of Gilherse’s content without distracting from it.


Rio Designs Things